
While putting together FADER Number 56, our Fall Fashion Issue, we noticed a theme emerging: While other glossies explore layering and shades of black, we peeled back, uncovering designers, creators and musicians who are willing to buck trends in order to stay true. Unsurprisingly, the resulting DJ-mixed podcast of music, which you can download below, expresses that die-hard independence perfectly. It's bookended by two grimy dancehall bangers by coverstar Busy Signal, and littered with next level club anthems by other covermen The Tough Alliance and Gen Fs Little Boots, Larry Heard, Michna and Music Go Music. And for all the dudes and gyal-dudes who don't dance no more, we've got knee-dip joints by Charles Hamilton, Rodriguez, Nisennenmondai, High Places, Play N Skillz and Big Tuck. There's not a stain on this mix.
Download the FADER 56 mix as an mp3 (right click, save as)
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Check the tracklist after jump.
Busy Signal, “Tic Toc"
The Tough Alliance, “Miami”
Larry Heard aka Mr. Fingers, “Can You Feel It”
Little Boots, “Stuck On Repeat”
Nisennenmondai, “Pop Group”
Charles Hamilton, “Rockstar Girl”
Michna, “Swiss Glide”
High Places, “Vision’s the First”
Rodriguez, “Sugar Man”
Music Go Music, “Light of Love”
Play N Skillz (ft. Lil Jon, Krazie Bone & Bun B), “1 Mo Gin”
Big Tuck, “Not A Stain (Dallas Remix)"
Busy Signal, “Jail”

The annual rite of autumn that is the CMJ Music Conference is coming back to New York City in October. We, of course, will be there in full strength with our own daily party (details to come), but CMJ is bigger than just us. It will have showcases jammed with great bands, film screenings, weird panels like "Writing Jingles and Other Ways to Make $ and Not Be Cool", and apparently some sort of "College Radio mixer." It will be fun, and you can be there if you are willing to email us with "CMJ" in the subject line and your full name in the body at contests@thefader.com. We'll pick the lucky winners soon and see you in the pit (radio mixer).


Actually, Michael Phelps is the greatest Olympian ever. If you only take into account the fact that he won eight gold medals and might now feasibly be on the next Young Jeezy album, he has eclipsed our own dreams by knowing how to swim on the one hand and doing anything more than buying the next Young Jeezy album on the second. So for that, we celebrate him. However, last night and today, we witnessed the pop culture birthing of one Dayron Robles, Cuban 110 meter hurdler, world record holder and Olympic gold medal winner. Indeed, he is fast as all get out, and he seems heroically impervious to our fear of a hurdle wrecking our genitalia in Olympic ignobility, but that is not what makes him great.
First, in an Olympic Games populated with freakishly attractive athletes who train in world-class American, Chinese and European facilities, Dayron looks like Raj from What's Happening!. He wears wire-rimmed spectacles held in place by Croakies that look like they were cut from an old boot, hangs tinny gold chokers around his neck and keeps time with a fresh executive watch. He is truly a window into what it means to achieve in Cuba while reminding us all that vintage is always a good option when you are light on cash.
Second, he upholds the spirit of the modern Games as a megaphone for justice. The day before Beijing dazzled us all with the opening ceremonies, Robles' signature appeared on a letter issued by the International Campaign for Tibet, in conjunction with Amnesty International, to China's president Hu Jintao calling for him "to enable a peaceful solution for the issue of Tibet and other conflicts in your country with respect to fundamental principles of human rights… China is the focus of worldwide attention… Your decision on these issues will determine the success of the Olympic games and the image the world will have of China in the future." According to the Guardian, "After the letter's international publication yesterday [August 7th] several signatories asked for their names to be removed. Robles was not one of them." BADASSSSSSS. Just saying. No big deal, says Jintao. Or not? Today the Chinese government shut down Chinese iTunes after it was learned that 46 athletes in the Olympic Village downloaded Songs for Tibet, which had been offered to them free of charge. Songs for Tibet was promoted by the International Campaign for Tibet. It featured songs from Sting, Moby, Damien Rice and Alanis Morissette.
Third, we have yet to receive word that Dayron Robles was one of the 46 athletes who downloaded that album, so he also has good taste.

This song from the new Capone N Noreaga album is cool and all — a creep-ed out, sinewy album cut featuring the same Full Metal Jacket soundbite made famous by 2 Live Crew (and MIA) — but on a brighter note, can we take this moment to talk about how N-O and Alchemist are straight-up WINNING AT THE INTERNET right now? Between the MySpace gallery devoted to his Newport box chain, his great YouTube channel and his shirtless marketing plan, the mayor of Lefrak has been engaging and entertaining his constituents like never before. Meanwhile, Alc has gone and launched his own blog, a charmingly homemade (check the 1997 brick background GIF!) journal that eschews shameless self-promotion and pictures of recent luxury purchases for a diary approach that's funny, self-deprecating, and refreshingly human. Check the pic of his elementary school rap group! FAT NORE + TINY ALCHEMIST = WEB GOLD.
Download: CNN, "Follow The Dollar"

According to Baltimore's Get 'Em Mamis, "They Jockin,'" the Darkroom Productions produced track they laid for the seventh edition of our FADER/Southern Comfort 7-inch series, will get the elderly "doing the Yung Joc in their wheelchairs," and our guess is that it might also spark use of the ridiculous superlative "terrawesome" ("somewhere between terrific and awesome"). Over on the record's A-side, the whole Hood Headlinaz crew (Mata, Mali Boi, Dawgy Baggz, Jhi Ali and Gunt, as well as Wu-affiliate guest Rubbabandz) got together for their track "Tip Down." When we asked Paper Route Recordz CEO Dawgy Baggz to explain "tipping down" to us northerners, because we though it had something to do with cars (thanks for nothing, urbandictionary.com), he said it means simply "going bananas." Fair enough. And to wrap up this little present from us to you, artist Michael Genovese threw down some "tienda style lettering with a local Baptist church influence" on a wall in the Chicago Cultural Center and gave the two groups a little free advertising for the record's cover. E-mail contests@thefader.com with your name and address for a copy until we run out.

When we put up Music Go Music's first 12", "Light of Love", the band was shrouded in mystery and a protected by several dozen layers of ABBA references, but they were on Secretly Canadian, a label we've come to respect for many reasons. Our curiousity led us to write a story on them in the Issue 56, which you can read after the jump, in which we not only discovered that they were somewhat normal but also like vegetarian nachos. Small world. They are now releasing their second single, and there is hardly a hint of ABBA, just gigantic riffs, chugging rhythms and a little bit of disco. Or as one of their mom's says in the story, "“the overture in a ’70s musical that I missed but would have loved.”
Download: Music Go Music, "Reach Out"
Story Eric Ducker Photography Matt Mallams
The first time Music Go Music performed live was in 2006 at the Eagle Rock Music Festival in Los Angeles. They played the three songs they had and frontwoman Gala Bell wore an orange jumpsuit with rhinestones and genie pants that she bought off eBay. There are a few pictures of the show on their MySpace page, but they’re all too dark — the faces obscured, the orange jumpsuit not looking as fabulous as I’d imagined. Music Go Music have not performed since. “It has to be the perfect situation. I want it to be amazing. I want to have outfit changes for each song,” says Bell. “I have to have champagne. Music Go Music doesn’t slum it.”
These statements may come off like Linda Evangelista’s infamous “We don’t wake up for less than $10,000 a day” quip, but there are some caveats I probably should have mentioned earlier. Bell and keyboardist/songwriter Kamer Maza are the aliases for two members of an LA indie rock band they don’t want named, and Music Go Music is their fantasy pop project with pseudonymous guitarist and bassist Torg. They will put out three three-song 12-inches this year, released in the order they were recorded. They begin with a bright-eyed Scandinavian sashay and end with a ten-minute Mediterranean disco romp featuring programmed drums, making detours along the way into rainy day ballads and guitar infernos. The cumulative effect plays like the
greatest hits of dance saviors that never existed, or as Bell’s mother described it, “the overture in a ’70s musical that I missed but would have loved.” And indeed, they probably should only be performed from inside an aquadome at the bottom of the Caspian Sea, or at least during a summer-long residency in Ibiza.
There is an impulse to dismiss the band as a guilty pleasure side project, but that would ignore the attention to craft in the songs — not just in the production, but in the lyrics about “love’s silver haze” and the faded scent of jasmine. “I think it’s the opposite of an indulgence,” says Maza. “It’s about traditional song structure and not putting the bridge after the first chorus or whatever. With the other stuff I do, I don’t care about those things.” And while I originally hoped to get into a big theoretical talk with Music Go Music about the role of persona in modern music and how everyone is basically playing a part, I soon realized I was eating vegetarian nachos in a family-friendly Mexican restaurant by Target with a couple who raise their own chickens and that we hadn’t even really talked about goddamn Abba yet.

Wiley has retired from grime for the second time. Beat that, Jay-Z! What Wiley has failed to understand though is what the implications of retirement actually mean because he is still planning to make music. And that's a very good thing because the latest song I've heard from him, "Where's My Brother" (below), is truly brilliant. His singing voice is pretty decent too. News arrived this week that he has enlisted the, er, talents of Kate Nash and Lily Allen on his new album, I See Clear, but judging by this he will be showing them up in the singing stakes.
Wiley, "Where's My Brother" (radio rip)
I was a bit harsh on the new Roll Deep single, "Do Me Wrong", (and the rest of their latest album) a few weeks back but it has since grown on me. Check the video above.
Let me take a deep breath before I tell you this. Okay. I'm ready now. Bless Beats is working with the Lighthouse Family. Yes, it really has come to this. Expect the grime remix of "Lifted" featuring God's Gift imminently. (I'm not sure if you Yanks know exactly who the Lighthouse Family are, but you'll have to trust me that what I just said was very amusing and British people are now rolling around on the floor laughing uncontrollably).
I've kind of been neglecting my promise to keep you up-to-date on what's happening in the bassline scene, but you really haven't missed much. Above is a recent video by Bully Boyz for the songs "Back ov My T" and "Shut Up Star". According to the info on YouTube this is just a "typical night out" for the guys in the crew — standing around outside some houses with their hoods up and then dancing in a tiny club with a disco light that looks like it was borrowed from an 8-year-old girl's bedroom. Enjoy.
Finally, I've been listening to, among other things, the following mix by London DJ collective Heatwave as I prepare for a weekend of CS gas, dog fighting and watching women try to bottle each other on the last train out of West London*. Yes, you've guessed it - it's Notting Hill Carnival time. Wahey.
*If last year is anything to go by.
Download: Heatwave mix for Resonance FM
Tracklist:
Apple Gabriel - Heat Wave
Sway & Stush - F Ur X
Rubi Dan & DJ Q - Walk & Wine (The Heatwave Refix)
Lil Wayne & Kanye West - Lollipop (Remix)
Honorebel - Lollipop (Remix)
Sizzla - Request My Love
Sizzla - The Solution
Demarco - Sort Dem Out
Japanese & Rudeboy - No Pueden Con Scaredem
Mavado - Money Changer
The Maytones - Throw Down Your Arms
Laden - Do Yuh Thing
Sean Paul - Don't Tease Me
Assassin - Money
Sub Swara & Juakali - The Balance
Sharps & Major Trouble - Big Up Yr Punani

First thing in the morning, nothing beats an email with the subject "Death." Really. It's better than free scones in the office kitchen. It's like, Oh great, now our own mortality is emailing us. Like we don't have enough to do already. And then you actually read the email and it's just a new Crystal Castles remix of one of their tourmates' songs. Lord only knows who White Lies is, but according to Cannibal Cheerleader, the source of this song, they played a couple shows with Crystal Castles in the UK recently. More importantly, Crystal Castles both improves on the somewhat middling original and hints at a possible future for themselves beyond their trademark 8-bit vamping. Not that we couldn't get down to Nintendo all day long but we're curious to see what else they can do. To see what they are doing now, fly to England, where they are playing a number of club shows and festivals.
Download: Crystal Castles, "Death (White Lies Remix)"

Dissident Records is one of the most talked about UK labels of the last year, its emergence synonymous with the rebirth of London’s underground disco scene. Yet despite putting out 12”s at the astonishing frequency of one a fortnight since its inception last July, Dissident has retained an envious aura of mystique. All its releases are strictly vinyl only, in editions of 200, and there is no online presence – not even a blog or a Myspace page. Message boards have been rife with speculation about the characters behind Dissident and its oddly-named artists like Invincible Scum and Binary Chaffinch. However, when genial label boss Andy Blake emails you to invite you round to his New Cross flat for a cup of liquorice tea and a chinwag about Dissident disco, it’s clear this isn’t a man who’s gone to Burial-style lengths to keep his true identity under wraps.
“We’re not trying to be mysterious or unapproachable,” explains Andy, sweeping aside a lock of his lustrous disco hair. “There’s an email address on the label of each record that you can see from space. We just want people to engage rather than consume.”
Andy has been DJing around London for 20 years, often in the second rooms of house or techno clubs, where he always noted that the stuff he played – wonky disco, classic house, electro and anything else with similar verve and spirit – often got a much more physical response than the linear, laptop sets going on in the main rooms. Andy was bemused. “A lot of those seminal Detroit records were full of rage and passion, they used to make people go crazy. Now dance music in big clubs acts as a pacifier.”
Andy had tried the label thing a couple of times before, with disillusioning results. But last year the climate seemed right for a new disco-oriented venture. Most of the first Dissident releases came from within Andy’s circle of dusty-fingered, analogue-obsessed mates – people like Ali Renault of Heartbreak, Ben aka Gatto Fritto, and Milo Smee, Chrome Hoof’s drummer, who records for Dissident under the Binary Chaffinch and Kruton aliases. Much of the Dissident output has actually been recorded in Andy’s home studio, which he’s gradually restocked with vintage analogue equipment after initially dumping it all when Logic first came out in 2000. Several of Dissident’s daft pseudonyms – Invincible Scum, SCS, Control Voltage – are just Andy and a mate jamming away up there in the label’s spirit of rapid-fire spontaneity. New Dissident acts that Andy is excited about are Photons, a youthful duo from Portugal, Naum Gabo featuring Jonnie Wilkes from Optimo, and Peach Melba, a happily indulgent collab between Andy and Dan Beaumont from Disco Bloodbath. Their first compilation on (whisper it) CD is out this month.
“Good shit to dance to,” Andy summarises, simply. “Something that sounds vibrant and original and puts a smile on people’s faces in a club or in a bar. If there is an ethos to Dissident, it’s about music that works communally.” Hence the dedication to the 12” single format. Dissident releases are malleable club tools, their context to be decided by the DJ.
“Our music’s all a bit ballsy and rough-arsed too,” adds Andy. “There’s a fiery nature to it. A lot of current productions, even a nu-disco record by someone like Prins Thomas, they can sound too perfect. Follow them with a weird old Italo-disco record when you’re DJing and suddenly the room will come alive. We’re trying to put a bit of that naivety and spontaneity into our records. We like them to be a little more… unshaven.”
I’m afraid there are no tracks to post, nor online mixes to link to; that’s just not how Dissident do things. However, if you would like to engage rather than consume, Andy encourages you to email him at dissident.distribution@gmail.com. You may even end up making a tune with him.

In Issue 44, released in March 2007, we wrote about rock bands in Beijing and a young rapper in DC named Wale. Less than two years later, Wale is signed to a big Interscope deal and Beijing is hosting the Olympics. We call it, "blowing shit the fuck up." It's what we do. New York undergroung kings Gang Gang Dance were on the cover of that issue, and the album we discussed in their story, now titled Saint Dymphna, is on the way, and it is going to make them bigger than the Wiggles. It's so good it might even bring grime back in the United States. We're not joking, you'll see. Somehow, Fluxblog got his paws on "House Jam" before we did (we forgot to ask), but we are glad to repost because we are genuinely excited about this record. It comes out on October 21st at which time it will become the soundtrack to everything.*
Download: Gang Gang Dance, "House Jam"
*except sucky stuff

We imagine when Henrik Vibskov was a kid he took daily trips to remote islands where the wild things are, visited Mr. Ignanomous and his band of renegades or sailed along in a banana boat on a quest for a magical spear. The matured Vibskov retains some of that mystery still, bringing some wild imagery to the catwalk with amazing creations in eccentric prints and vivid story lines. So it's no wonder that he's conjured up a collection for Euro kids accessory line, Quinny, using strange penguin snow suits and rainbow-colored strollers with dangling knocktabobbles. While getting to the bottom of Vibskov's wondrous aesthetics we discovered a story about a young penguin boy that runs off to the forest to join a musical entourage of traveling bandits, a tale beautifully reenacted in the collection's campaign where small flipper-winged children wander the misty forest, and synchronized swimmers balance umbrellas on their tippy toes. Vibskov manages to capture the dark and exciting qualities of childhood not just in the line but in it's presentation, enough so that we're coveting pieces long before our firstborn are even mentally conceived.



According to Wikipedia, "Eddy currents can generate a lot of heat, and also can create a strong repulsive force between the conductor and the field source which can be used for levitation or creating movement, or to give a strong braking effect." Levitating is cool. Being repulsive… not always that cool. Eddy Current Suppression Ring's upcoming album Primary Colors is gnarly sounding and all that, but it makes us jump up more than jump back. It's filled with repetitive, propulsive chords and slow crescendos and on our favorite song so far, "Colour Television," lead vocalist Brendan Suppression sings "I switch on/I switch off/I switch on/I switch off," which as far as standard operating procedures go these days, is a pretty good way to deal with things.
Download: Eddy Current Suppression Ring, "Colour Television"
Download more at RCRD LBL

GZA's been eating steadily as of late, thanks to an unexpected (though in no way undeserved) bubble of interest in his 1995 opus Liquid Swords. He's been trekking around performing that album in its entirety so much, we almost forgot dude released a new record yesterday! Which is a shame, because tucked away at the end of Pro Tools is this slice of vintage breakbeat Wu, where GZA and RZA spit back and forth over Gary Numan's "Movies" about duh, movies (at least on the second verse, the first half is pretty...abstract). Unfortunately it doesn't follow in the footsteps of "Labels" by using titles as lyrics - there's no "Norbit had Jungle Fever for The Believer" type rhyme action to be found, but "craft service got nervous" might be in the running for couplet of the year.
Download: GZA f. RZA, "Life Is A Movie"

You'd expect any advertising for a free show featuring art-damaged superfriends (and FADER faves) Professor Murder, Free Blood, Pink Skull and Kingdom to be appropriately random. But this one goes the extra mile, mashing a Mad Magazine jack from Al Jaffe with an amazing pride week colorway and a bad record store joke, minus the joke. If the show is half as stoned as this flyer, we're in for a fun Friday.
Totally genius to post this on the same day Barack Obama text messages his VP to supporters. BARACK OBAMA IS LEAKING HIS VICE PRESIDENT TO THE INTERNET. So good. Also, Jeezy is going to email Jesus. (Produced by Tha Bizness. Via USDA2day)
Download: Young Jeezy f. Nas, "My President"

We talk a lot (maybe too much) about our wonderful summer activities around here, but worry not, Other Seasons, you are on our to-do lists. Autumn, in fact, is the next season we plan on attending, and we have put together an issue of our magazine in anticipation. This year's edition of the annual FADER Fall Fashion Spectacular is actually not filled with images of burger-deprived skinnies and still-lifes of boat shoes, but the people and music that inspire us to be ourselves and do the unexpected. For the cover stories, we went to Sweden to meet The Tough Alliance, Gothenburg's surreptitiously seditious pop duo, and Kingston where Busy Signal, the baddest loner in dancehall, roams. We also sent our newest editor, Felipe Delerme, to Dallas to put a star on the Dallas rap scene, and got a spellbinding photo essay of Russia's zek gangsters from Donald Weber. For the last two features we stayed right here in New York to figure out the High Places and document the New Vogue underground. But of course, we couldn't make a fashion issue without actually doing a fashion story, so our style editors went with photographer Tierney Gearon to Idaho to create some homegrown beauty. All that and the regular excellence you've come to expect from every issue. Pick it up at your local newsstands and/or right here in digital format. We promise it won't clash with your Hammerpants.
Get Issue 56 now on iTunes,
subscribe via your favorite RSS reader here,
or download the individual F56 full-issue PDF here.

The Presets have decided to start off our day with a mix called Get Off The Beach, which is good advice if you live in Australia and people like to beat you up for being courageously stupid. But for those of us who live in the REAL WORLD, it feels like a taunt. Still, we can't scoff at free entertainment these days, so enjoy with us the first mix we've ever seen that blends Hanadensha with Public Enemy. Tracklist after the jump.
Download: Presets' Get Off The Beach Mix (email reg required)
Get Off The Beach Mix - August 2008
Roy Buchanan - A Fly By Night - Atlantic +
Hanadensha - Acoustic Mothership - Circle Sunshine Records
Public Enemy - Black Steel In The Hour Of Chaos
Von Südenfed - Dear Dead Friends
Sparks - Beat The Clock
African Suite - In The Pocket
Jamie Anderson & Jesse Rose - Jack Your Body (Body Jackin')
Aphex Twin - Windowlicker (End Roll Version)
Toecutter - Terror Australis
Sepultura - Roots Bloody Roots
Raymond Scott - Cindy Electronium
Ambivalent - R U Ok
Compuphonic & Kolombo - Passing Light
Tomita - Snowflakes Are Dancing - Children's corner , N°4
Chromatics - In The City
Pantha du Prince - Saturn Strobe
The Presets - Anywhere (Compuphonic & Kolombo Remix)
Cornelius - Scum
Jim O'Rourke - Something Big

Each Tuesday, FADER editor Matthew Schnipper highlights an underappreciated recent release he thinks we need to know about. This week it's Fam-lay "Da Beeper Record" 12-inch. Watch the video for "Beeper" here, buy it nowhere and read about it after the jump.
I saw the cutest baby on the subway today. She was in a stroller and she was so little. She was sleeping but would half wake up intermittently, mostly with her eyes still closed, and paw around at her face and tiny blanket. Then she yawned and her mouth moved in a circle. The palms of her hands were pink. She had a lot of hair. She could not have been more than a few weeks old. She was chilling. A while ago, my friend Jessica asked me why everything makes me bummed. It’s a good question. That baby was one hundred percent cool though.
I bet Fam-lay gets bummed out by everything all the time. Like especially the fact that no one cares about his music even though it’s good. There used to be dozens of copies of the “Rock N Roll” 12-inch at this one store, all a dime apiece. I bought three or four and gave them away. But “Da Beeper Record,” I never saw that until I went to Amoeba in San Francisco a few years ago and they had piles of them for three dollars each. “Catch me on the night shift like the Commodores/ If you about to bullshit what you’d call me for?” My grama is like that, she hates the phone. She is like Fam-lay, they both work hard and don’t get a lot of recognition, except from their close family (me and Pharrell, respectively).
Sinden made a song out of “Beeper” and then Kid Sister rapped over it. I wonder if he heard that. My grama tutors young immigrant kids. I wonder if she sees them when they get old. I wonder if they ever look at cute babies. My grama has a really small dog named Yasmine. Does Fam-lay have a cute baby? Or did he keep a copy of the note Pharrell wrote when he promised to make him famous? My grama has a cool Turkish accent. Fam-lay sounds southern. Fam-lay sounds like family, my grama is my family. This is bumming me out.
Do you think cute babies like rap music? If I was a baby would I be cute? Was I a cute baby? Was Fam-lay? Was my grama? This is bumming me out.

For anyone who thought TV On The Radio was going to stay the course on their third proper album, crank out some soaring offbeat space jams and ride the money train to the penthouse of the grandest loft in Brooklyn, you got another thing coming. Dear Science, is a definite change in direction (we'll have more on that later) as evidenced by this new song streaming now on their website. "Golden Age" is clean, brassy, symphonic and, in a world that does not exist, radio-friendly. It is also, as they say, "funky." We're actually more excited to hear these new songs live than on radio, though, and we will all have our chance when TVOTR hit the road covering all of these United States and a few select Euro spots in September and beyond.
Stream: TV On The Radio, "Golden Age"
Domino Records is putting out a new EP by our dudes The Count & Sinden this October featuring a song called "Hardcore Girls" with Rye Rye, who may be our all-time favorite Baltimore resident. Yes, we are counting Michael Phelps. That dude has never made a YouTube this awesome. Both Sinden and Rye Rye have been in the Gen F section of the magazine and The Count aka DJ Nine Million Names has been on this blog plenty, so this is pretty much a supergroup. Dance along to the video and try not to have a heart attack.